The fluid mechanics of splat painting

Abstract

In splat painting, a collection of liquid droplets is projected onto the substrate by imposing a controlled acceleration to a paint-loaded brush. To unravel the physical phenomena at play in this artistic technique, we perform a series of experiments where the amount of expelled liquid and the resulting patterns on the substrate are systematically characterized as a function of the liquid viscosity and brush acceleration. Experimental trends and orders of magnitude are rationalized by simple physical models, revealing the existence of an inertia-dominated flow in the anisotropic, porous tip of the brush. We argue that splat painting artists intuitively tune their parameters to work in this regime, which may also play a role in other pulsed flows, like violent expiratory events or sudden geophysical processes.