Testing for Mathematical Lineation in Jim Crace's "Quarantine" and T. S. Eliot's "Four Quartets"
John Constable, Hideaki Aoyama
Abstract
The mathematical distinction between prose and verse may be detected in writings that are not apparently lineated, for example in T. S. Eliot's "Burnt Norton", and Jim Crace's "Quarantine". In this paper we offer comments on appropriate statistical methods for such work, and also on the nature of formal innovation in these two texts. Additional remarks are made on the roots of lineation as a metrical form, and on the prose-verse continuum.
Create a lesson
Related papers
RSI-Anything: Unlocking Recursive Self-Improvement with World Models
Taoyong Cui, Pinxian Zeng, Wanghan Xu et al.
When VLMs Destroy What They Know: Spatial Representations Fall Below Lexical Priors
Shubh Garg, Chen Shani
Structural Automata for Neural Semantic Parsing
Xiao Zhang
Task Context Shapes Component Roles in Language Models
Sovesh Mohapatra, Dani S Bassett
Can Language Models Learn When to Abstain? Policy Learning and Calibrated Answer Selection
Juan Terven, Diana-Margarita Córdova-Esparza, Ruben Gomez et al.
Error Rate is Not Enough: Costs of Augmentation in Low-Resource ASR
Katsumi Ibaraki, David Chiang